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Wednesday, July 24, 2024

Polish business to spend more on digital transformation

Polish companies plan to significantly increase expenditure on new technologies. More than half of large and medium-sized enterprises in the financial, commercial, logistics and...

The Future of Biogas and Biomethane in Poland’s Energy Transition

Welcome to another episode of Poland Weekly! Today, we're exploring a pivotal topic for our future: the energy transition. This challenge is essential for...

Migration in Poland: Economic Impact vs. Public Perception

The actual scale of migration and its impact on the economy can often be quite different from how citizens perceive these phenomena. In 2024, approximately...

Jazz in the Old Town

The Old Town square in Warsaw once again became the concert heart of the capital. The jubilee 30th edition of the Jazz in the...

Surrealism outdoor

This year’s edition of the outdoor cinema at the National Museum in Warsaw is a journey through the film surrealism featuring works of various...

“Medea” in the Polish National Opera

The much-anticipated premiere of Luigi Cherubini’s “Medea” finally took place in the Polish National Opera in Warsaw on January 21. The performance is a co-production between the Polish National Opera and Salzburg Festival, during which it had its premiere in 2019. Due to the pandemic, “Medea” couldn’t be presented to the Polish audience in 2020 and only now becomes available with following performances on 24th, 26th and 28th of January. Based on Euripides’ tragedy and Pierre Corneille’s drama, the opera in 3 acts is a mythological story modernized and translated into nowadays emotional complexity of relationships. Medea, a betrayed wife of a rich and influential Jason, is pushed into the abyss of despair, desperation and in the end – cruelty, infanticide and suicide. Cherubini’s musical narration is inspired by the compositions of Wolfgang Amadeus Mozart and the romantic passion of Christoph Willibald Gluck, where the initial sublimity evolves into the extreme emotions in the end. “Medea” directed by Simon Stone is performed under the baton of Patrick Fournillier with the title role sung by Izabela Matuła.

Wiktoria Sawicka-Djassi
Wiktoria Sawicka-Djassi
Freelance author, journalist and editor with over ten years of experience in public relations and communication for both domestic and international lifestyle brands. People and community enthusiast. Culture lover with a weak spot for literature. Traveler passionate about social diversity and mutual impact of people and their values.
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