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Saturday, July 27, 2024

How Poland Stands in the AI Era

In this episode of Poland Weekly, Sylwia Ziemacka sits down with Ignacy Morawski, Chief Economist at Puls Biznesu, to explore the critical questions surrounding...

US Planetary Champion From Kraków

Student team AGH Space Systems from AGH University of Science and Technology (Kraków) and their planetary rover Kalman won the international rover competition in...

China: Trade Agreements, No Visas

From 22 to 26 June the Polish President Andrzej Duda visited China to meet the President Xi Jinping and participate in the World Economic...

Startup ecosystem elevator extraordinaire!

Welcome to another episode of StartUPwithPoland! Join host Tessa McIver as she explores the vibrant Polish startup ecosystem through the eyes of its key...

Polish business to spend more on digital transformation

Polish companies plan to significantly increase expenditure on new technologies. More than half of large and medium-sized enterprises in the financial, commercial, logistics and...

“Medea” in the Polish National Opera

The much-anticipated premiere of Luigi Cherubini’s “Medea” finally took place in the Polish National Opera in Warsaw on January 21. The performance is a co-production between the Polish National Opera and Salzburg Festival, during which it had its premiere in 2019. Due to the pandemic, “Medea” couldn’t be presented to the Polish audience in 2020 and only now becomes available with following performances on 24th, 26th and 28th of January. Based on Euripides’ tragedy and Pierre Corneille’s drama, the opera in 3 acts is a mythological story modernized and translated into nowadays emotional complexity of relationships. Medea, a betrayed wife of a rich and influential Jason, is pushed into the abyss of despair, desperation and in the end – cruelty, infanticide and suicide. Cherubini’s musical narration is inspired by the compositions of Wolfgang Amadeus Mozart and the romantic passion of Christoph Willibald Gluck, where the initial sublimity evolves into the extreme emotions in the end. “Medea” directed by Simon Stone is performed under the baton of Patrick Fournillier with the title role sung by Izabela Matuła.

Wiktoria Sawicka-Djassi
Wiktoria Sawicka-Djassi
Freelance author, journalist and editor with over ten years of experience in public relations and communication for both domestic and international lifestyle brands. People and community enthusiast. Culture lover with a weak spot for literature. Traveler passionate about social diversity and mutual impact of people and their values.
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