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Tuesday, July 9, 2024

Warsaw Ranks 4th Among the Best European Capitals to Visit in 2024

After struggling to meet pre-pandemic levels last year, the travel and tourism industry is expected to fully recover to 2019 levels in 2024. The...

IMPACT LEADERS: Tomasz Rudolf, co-founder of Doctor.One

Welcome to Impact Leaders with Magda Petryniak. Our guest today is Tomasz Rudolf, co-founder of Doctor.One, a company dedicated to humanizing healthcare by connecting...

Construction Permit For Izera

On 9th May the Polish company ElectroMobility Poland (EMP) obtained the construction permit from the Mayor of Jaworzno to start construction of the factory...

Poland’s secret sauce – an American innovator’s perspective

In the latest episode of StartUP with Poland, Tessa McIver hosts a captivating discussion with David Putts, a prominent figure in Poland’s innovation ecosystem.David's...

Pioneering PropTech!

Welcome to another episode of StartUPwithPoland! Hosted by Tessa McIver, this series brings you inspiring stories from Poland's dynamic startup ecosystem.In this episode, Tessa...

Unreal, yet Recognizable World

The new temporary exhibition at the National Ethnographic Museum in Warsaw is a journey through the paintings of Magdalena Shummer – an outstanding creator from the circle of non-professional art. “I am in enormous awe of nature, animals, flowers, and especially trees. Emotionally, I identify with their fate. I started painting when I was 30 years old. I am a self-taught artist. I paint oil paintings and create cutouts. I use sheet metal that I cut into various shapes. Then, I prime them and paint them with oil paints.” This monographic exhibition consists of over 130 works illustrating, among others, human relations with nature. Cats, dogs, cows, parrots, crocodiles, jaguars, elephants, bats… The fantastic, multicolored world of the artist’s imagination is also filled with mythical stories, including angels and demons, scenes from paradise and Noah’s Ark. The exhibition is also available in English and Ukrainian, and the narrative of the exhibition, selected objects and a film interview with the artist – in Polish Sign Language and with audio-description. “Unreal, yet Recognizable World” is open until December 31.

Wiktoria Sawicka-Djassi
Wiktoria Sawicka-Djassi
Freelance author, journalist and editor with over ten years of experience in public relations and communication for both domestic and international lifestyle brands. People and community enthusiast. Culture lover with a weak spot for literature. Traveler passionate about social diversity and mutual impact of people and their values.
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