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Sunday, May 19, 2024

Immersive Klimt

The new immersive exhibition at the Soho Art Center in Warsaw allows the audience to fully experience Gustav Klimt’s monumental paintings on a 360-degree...

The Night of Museums

The 2024 edition of the annual Polish culture feast at dusk will take place on May 18 with the exception of the city of...

Warsaw Chopin Airport: Present and Future

Warsaw Chopin Airport was established 90 years ago. For years, it has remained a window to the world and the main Polish transfer hub....

Centralny Port Komunikacyjny Approved by European Parliament

On Wednesday, 24th April, the European Parliament approved construction of Poland’s Centralny Port Komunikacyjny (CPK) in the Trans-European Transport Network TEN-T. The Regulation on...

IT or not IT?

Challenges in the IT industry through the eyes of a recruiter from Michael Page Poland is a significant player on the international stage in the...

“Medea” in the Polish National Opera

The much-anticipated premiere of Luigi Cherubini’s “Medea” finally took place in the Polish National Opera in Warsaw on January 21. The performance is a co-production between the Polish National Opera and Salzburg Festival, during which it had its premiere in 2019. Due to the pandemic, “Medea” couldn’t be presented to the Polish audience in 2020 and only now becomes available with following performances on 24th, 26th and 28th of January. Based on Euripides’ tragedy and Pierre Corneille’s drama, the opera in 3 acts is a mythological story modernized and translated into nowadays emotional complexity of relationships. Medea, a betrayed wife of a rich and influential Jason, is pushed into the abyss of despair, desperation and in the end – cruelty, infanticide and suicide. Cherubini’s musical narration is inspired by the compositions of Wolfgang Amadeus Mozart and the romantic passion of Christoph Willibald Gluck, where the initial sublimity evolves into the extreme emotions in the end. “Medea” directed by Simon Stone is performed under the baton of Patrick Fournillier with the title role sung by Izabela Matuła.

Wiktoria Sawicka-Djassi
Wiktoria Sawicka-Djassi
Freelance author, journalist and editor with over ten years of experience in public relations and communication for both domestic and international lifestyle brands. People and community enthusiast. Culture lover with a weak spot for literature. Traveler passionate about social diversity and mutual impact of people and their values.
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